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Volume 147 (2006)

Articles

Kati Agócs: ‘The mechanics of culture: new music in Hungary since the 1990s’, vol.147 no.1896 (Autumn 2006), pp.5–18.

Larry Bomback: ‘Wagner’s access to Minnesinger melodies prior to completing Tannhäuser’, vol.147 no.1896 (Autumn 2006), pp.19–31.

Glen Carruthers: ‘The (re)appraisal of Rachmaninov’s music: contradictions and fallacies’, vol.147 no.1896 (Autumn 2006), pp.44–50.

Barry Cooper: ‘The amazing early works of Frederick Ouseley’, vol.147 no.1895 (Summer 2006), pp.49–58.

Alan Davison: ‘Franz Liszt and the development of 19th-century pianism: a re-reading of the evidence’, vol.147 no.1896 (Autumn 2006), pp.33–43.

Rodney Stenning Edgecombe: ‘Cesare Pugni, Marius Petipa and 19th-century ballet music’, vol.147 no.1895 (Summer 2006), pp.39–48.

Rodney Stenning Edgecombe: ‘The 19th-century Ländler: some thoughts’, vol.147 no.1897 (Winter 2006), pp.63–76.

Michael Fuller: ‘The far-shining sail: a glimpse of salvation in Britten’s Billy Budd’, vol.147 no.1895 (Summer 2006), pp.17–24.

Jennifer Goltz: ‘Pierrot le diseur’, vol.147 no.1894 (Spring 2006), pp.59–72.

John Harley: ‘Merchants and privateers: a window on the world of William Byrd’, vol.147 no.1896 (Autumn 2006), pp.51–66.

Beverly Jerold: ‘Choral singing before the era of recording’, vol.147 no.1895 (Summer 2006), pp.77–84.

Michael Kassler: ‘Broderip, Wilkinson and the first English edition of the “48” ’, vol.147 no.1895 (Summer 2006), pp.67–76.

Piet Kee: ‘Haydn’s last symphony: input from London?’, vol.147 no.1897 (Winter 2006), pp.57–62.

Balázs Mikusi: ‘The G minor minuet of Mozart’s ‘Haffner’ Serenade: yet another musical joke?’, vol.147 no.1897 (Winter 2006), pp.47–55.

Samantha Owens: ‘The Stuttgart Adonis: a recently discovered opera by Johann Sigismund Cousser’, vol.147 no.1896 (Autumn 2006), pp.67–80.

Ian Payne: ‘A tale of two French suites: an early Telemann borrowing from Erlebach’, vol.147 no.1897 (Winter 2006), pp.77–83.

Caroline Potter: ‘Dutilleux at 90’, vol.147 no.1894 (Spring 2006), pp.51–58.

Caroline Rae: ‘Jolivet on Jolivet: an interview with the composer’s daughter’, vol.147 no.1894 (Spring 2006), pp.5–22.

Matthias Range: ‘William Boyce’s anthem for the wedding of King George III’, vol.147 no.1895 (Summer 2006), pp.59–66.

Nigel Simeone: ‘Making music in Occupied Paris’, vol.147 no.1894 (Spring 2006), pp.23–50.

Chris Walton: ‘Lost without trace: hunting for Heinrich Schulz-Beuthen’, vol.147 no.1895 (Summer 2006), pp.25–38.

Chris Walton: ‘Schoenberg’s Alpine wanderer: Eric Schmid at 100’, vol.147 no.1897 (Winter 2006), pp.7–24.

Arnold Whittall: ‘Henze’s haunted sensibility’, vol.147 no.1895 (Summer 2006), pp.5–15.

Ian Woodfield: ‘Mozart’s ‘Jupiter’: a symphony of light?’, vol.147 no.1897 (Winter 2006), pp.25–46.

Book reviews

Celia Applegate: Bach in Berlin: nation and culture in Mendelssohn’s revival of the St. Matthew Passion, reviewed by Peter Williams, vol.147 no.1895 (Summer 2006), pp.85–90.

Jeremy Barham, ed.: Perspectives on Gustav Mahler, reviewed by Arnold Whittall, vol.147 no.1897 (Winter 2006), pp.105–108.

Carol K. Baron, ed.: Bach’s changing world: voices in the community, reviewed by Peter Williams, vol.147 no.1897 (Winter 2006), pp.85–91.

John Beckwith: In search of Alberto Guerrero, reviewed by Peter Williams, vol.147 no.1897 (Winter 2006), pp.85–91.

Anne Maria Busse Berger: Medieval music and the art of memory, reviewed by Donald Greig, vol.147 no.1894 (Spring 2006), pp.110–112.

Luciano Berio: Remembering the future, reviewed by Arnold Whittall, vol.147 no.1897 (Winter 2006), pp.110–111.

Christa Brüstle & Guido Heldt, edd.: Music as a bridge: musikalische Beziehungen zwischen England und Deutschland, reviewed by Chris Walton, vol.147 no.1894 (Spring 2006), pp.95–98.

Maureen Carr, ed.: Stravinsky’s Histoire du Soldat: a facsimile of the sketches, reviewed by Arnold Whittall, vol.147 no.1896 (Autumn 2006), pp.113–115.

Tim Carter & John Butt, edd.: The Cambridge history of seventeenth-century music, reviewed by Peter Williams, vol.147 no.1895 (Summer 2006), pp.85–90.

Eric Chafe: The tragic and the ecstatic: the musical revolution of Wagner’s Tristan und Isolde, reviewed by Arnold Whittall, vol.147 no.1895 (Summer 2006), pp.110–113.

Caryl Clark, ed.: The Cambridge companion to Haydn, reviewed by Patricia Howard, vol.147 no.1894 (Spring 2006), pp.105–108.

Margaret Cobb, ed.: Debussy’s letters to Inghelbrecht, reviewed by Andrew Thomson, vol.147 no.1896 (Autumn 2006), pp.81–91.

Della Couling: Ferrucio Busoni: ‘a musical Ishmael’, reviewed by Andrew Thomson, vol.147 no.1894 (Spring 2006), pp.116–118.

Pascal Decroupet, ed: Pierre Boulez: Le Marteau sans maître: facsimile of the draft score and the first fair copy of the full score, reviewed by Arnold Whittall, vol.147 no.1894 (Spring 2006), pp.103–104.

Graham Elliott: Benjamin Britten: the spiritual dimension, reviewed by Michael Fuller, vol.147 no.1895 (Summer 2006), pp.117–118.

Katherine Ellis: Interpreting the musical past, reviewed by Richard Langham Smith, vol.147 no.1896 (Autumn 2006), pp.93–101.

Annegret Fauser: Musical encounters at the 1889 Paris World’s Fair, reviewed by Richard Langham Smith, vol.147 no.1896 (Autumn 2006), pp.93–101.

Stuart Feder: Gustav Mahler: a life in crisis, reviewed by Arnold Whittall, vol.147 no.1897 (Winter 2006), pp.105–108.

Walter Frisch: German modernism: music and the arts, reviewed by Arnold Whittall, vol.147 no.1894 (Spring 2006), pp.102–103.

Jane F. Fulcher: The composer as intellectual: music and ideology in France 1914–1940, reviewed by Andrew Thomson, vol.147 no.1897 (Winter 2006), pp.99–104.

Beth L. Glixon & Jonathan E. Glixon: Inventing the business of opera: the impresario and his world in seventeenth-century Venice, reviewed by Patricia Howard, vol.147 no.1895 (Summer 2006), pp.107–109.

Henri-Louis de la Grange & Günter Weiss, edd.: Gustav Mahler: letters to his wife, reviewed by Arnold Whittall, vol.147 no.1897 (Winter 2006), pp.105–108.

Paul Griffiths: The substance of things heard: writings about music, reviewed by Arnold Whittall, vol.147 no.1894 (Spring 2006), pp.100–102.

Elisabeth le Guin: Boccherni’s body: an essay in carnal musicology, reviewed by Patricia Howard, vol.147 no.1897 (Winter 2006), pp.112–114.

Brigitte Hamann: Die Familie Wagner, reviewed by David Cormack, vol.147 no.1895 (Summer 2006), pp.115–117.

Kelley Harness: Echoes of women’s voices: music, art and female patronage in early modern Florence, reviewed by Patricia Howard, vol.147 no.1895 (Summer 2006), pp.107–109.

Peter Hill & Nigel Simeone: Messiaen, reviewed by Andrew Thomson, vol.147 no.1894 (Spring 2006), pp.73–80.

Christopher Hogwood: Handel: Water Music & Music for the Royal Fireworks, reviewed by Peter Williams, vol.147 no.1895 (Summer 2006), pp.85–90.

Raymond Holden: The virtuoso conductors, reviewed by Chris Walton, vol.147 no.1896 (Autumn 2006), pp.118–119.

Roberto Illiano: Italian music during the Fascist period, reviewed by Franco Sciannameo, vol.147 no.1895 (Summer 2006), pp.91–102.

William Kinderman & Katherine R. Syer, edd.: A companion to Wagner’s Parsifal, reviewed by Arnold Whittall, vol.147 no.1895 (Summer 2006), pp.110–113.

François Lesure & Denis Herlin, edd.: Debussy: Correspondance (1872–1918), reviewed by Andrew Thomson, vol.147 no.1896 (Autumn 2006), pp.81–91.

David Lewin: Studies in music with text, reviewed by Arnold Whittall, vol.147 no.1896 (Autumn 2006), pp.109–113.

Julian Littlewood: The variations of Johannes Brahms, reviewed by David Bretherton, vol.147 no.1897 (Winter 2006), pp.92–98.

Christine Lucia, ed.: The world of South African music: a reader, reviewed by Chris Walton, vol.147 no.1894 (Spring 2006), pp.98–100.

Robin Maconie: Other planets: the music of Karlheinz Stockhausen, reviewed by Christopher Fox, vol.147 no.1894 (Spring 2006), pp.89–94.

Margarita Mazo & Millan Sachania, edd.: Igor Stravinsky: Les Noces, reviewed by Arnold Whittall, vol.147 no.1896 (Autumn 2006), pp.113–115.

Stephen McClatchie, ed.: The Mahler family letters, reviewed by Arnold Whittall, vol.147 no.1897 (Winter 2006), pp.105–108.

Felix Meyer & Heidy Zimmermann, edd.: Edgard Varèse, reviewed by Arnold Whittall, vol.147 no.1896 (Autumn 2006), pp.115–118.

Steven Mithen: The singing Neanderthals: the origins of music, language, mind and body, reviewed by Peter Williams, vol.147 no.1894 (Spring 2006), pp.81–88.

Stephanus Muller & Chris Walton, edd.: A composer in Africa: essays on the life and work of Stefans Grové, reviewed by Arnold Whittall, vol.147 no.1895 (Summer 2006), p.114.

Jean-Michel Nectoux: Harmonie en bleu et or, reviewed by Andrew Thomson, vol.147 no.1896 (Autumn 2006), pp.81–91.

Jolanta T. Pekacz, ed.: Musical biography: towards new paradigms, reviewed by Peter Williams, vol.147 no.1897 (Winter 2006), pp.85–91.

Jenefer Robinson: Deeper than reason: emotion and its role in literature, music, and art, reviewed by Peter Williams, vol.147 no.1894 (Spring 2006), pp.81–88.

Colin Scott-Sutherland, ed.: Ronald Stevenson: the man and his music, reviewed by Chris Walton, vol.147 no.1894 (Spring 2006), pp.95–98.

Emanuele Senici: Landscape and gender in Italian opera: the Alpine virgin from Bellini to Puccini, reviewed by Patricia Howard, vol.147 no.1894 (Spring 2006), pp.108–109.

Barry Smith, ed.: The collected letters of Peter Warlock, reviewed by David Wright, vol.147 no.1895 (Summer 2006), pp.103–107.

Peter H. Smith: Expressive forms in Brahms’s instrumental music: structure and meaning in his Werther quartet, reviewed by David Bretherton, vol.147 no.1897 (Winter 2006), pp.92–98.

Michael Talbot: The chamber cantatas of Antonio Vivaldi, reviewed by Patricia Howard, vol.147 no.1897 (Winter 2006), pp.114–115.

Adrian Thomas: Polish music since Szymanowski, reviewed by John Fallas, vol.147 no.1894 (Spring 2006), pp.113–115.

Chris Villars, ed.: Morton Feldman says, reviewed by Christopher Fox, vol.147 no.1896 (Autumn 2006), pp.102–108.

Charles Youmans: Richard Strauss’s orchestral music and the German intellectual tradition: the philosophical roots of modernism, reviewed by Arnold Whittall, vol.147 no.1897 (Winter 2006), pp.108–110.

In memoriam

Malcolm Arnold, by JPE Harper-Scott, vol.147 no.1897 (Winter 2006), pp.2–6.

György Ligeti, by Arnold Whittall, vol.147 no.1896 (Autumn 2006), pp.2–4.