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Volume 146 (2005)

Articles

Eric Lewin Altschuler: ‘Were Bach’s Toccata and Fugue BWV565 and the Ciacconia from BWV1004 lute pieces?’, vol.146 no.1893 (Winter 2005), pp.77–86.

Eric Lewin Altschuler & William Jansen: ‘Shakespeariana in a Thomas Weelkes dedication from 1600’, vol.146 no.1892 (Autumn 2005), pp.83–91.

Donald Burrows: ‘The word-books for Handel’s performances of Samson’, vol.146 no.1890 (Spring 2005), pp.7–15.

David Cormack: ‘ “Wir welken und sterben dahinnen”: Carrie Pringle and the solo Flowermaidens of 1882’, vol.146 no.1890 (Spring 2005), pp.16–31.

Rodney Stenning Edgecombe: ‘Conventions of prayer in some 19th-century operas, vol.146 no.1893 (Winter 2005), pp.45–60.

Irving Godt: ‘Music: a practical definition’, vol.146 no.1890 (Spring 2005), pp.83–88.

John Gould: ‘What did they play?: the changing face of the piano recital from the beginnings to 1980’, vol.146 no.1893 (Winter 2005), pp.61–76.

Patricia Hall: ‘Berg’s sketches and the inception of Wozzeck: 1914–18’, vol.146 no.1892 (Autumn 2005), pp.5–24.

Carol Jarman: ‘Buxtehude’s Ciacona in C minor and the Nicene Creed’, vol.146 no.1891 (Summer 2005), pp.58–69.

Nicholas Jones: ‘Playing the ‘great game’?: Maxwell Davies, sonata form and the Naxos Quartet no.1’, vol.146 no.1892 (Autumn 2005), pp.71–81.

Eno Koço: ‘Shostakovich, Kadaré and the nature of dissidence: an Albanian view’, vol.146 no.1890 (Spring 2005), pp.58–74.

Robin Maconie: ‘Musical acoustics in the age of Vitruvius’, vol.146 no.1890 (Spring 2005), pp.75–82.

Mark Marrington: ‘Denis ApIvor and his contribution to British opera and ballet’,
vol.146 no.1891 (Summer 2005), pp.85–96.

Jean-Paul C. Montagnier: ‘French grands motets and their use at the Chapelle Royale from Louis XIV to Louis XVI’, vol.146 no.1891 (Summer 2005), pp.47–57.

Brian Newbould: ‘Elgar and academicism 1: the untutored genius’, vol.146 no.1891 (Summer 2005), pp.71–84.

Brian Newbould: ‘Elgar and academicism 2: practice beyond theory’, vol.146 no.1892 (Autumn 2005), pp.25–41.

Brian Newbould: ‘Elgar and academicism 3: devices and contrivances’, vol.146 no.1893 (Winter 2005), pp.29–44.

Kevin O’Connell: ‘Stanford and the gods of modern music’, vol.146 no.1890 (Spring 2005), pp.33–44.

Jonathan R. Pieslak: ‘The challenges of plurality within contemporary composition’, vol.146 no.1890 (Spring 2005), pp.45–57.

Peter Phillips: ‘Sign of contradiction: Tallis at 500’, vol.146 no.1891 (Summer 2005), pp.7–15.

Richard Staines: ‘Obrecht at 500: style and structure in the Missa Fortuna desperata’, vol.146 no.1891 (Summer 2005), pp.19–45.

Richard Turbet: ‘Greatness thrust upon ’em: Services by Byrd and others reconsidered’, vol.146 no.1891 (Summer 2005), pp.16–18.

Chris Walton: ‘Beneath the seventh veil: Richard Strauss’s Salome and Kaiser Wilhelm II’, vol.146 no.1893 (Winter 2005), pp.5–27.

Chris Walton: ‘Pocahontas in the Alps: Masonic traces in the stage works of Franz Christoph Neubauer’, vol.146 no.1892 (Autumn 2005), pp.43–56.

Arnold Whittall: ‘Resistance and reflection: Richard Barrett in the 21st century’, vol.146 no.1892 (Autumn 2005), pp.57–69.

Book reviews

Robert Adlington: Louis Andriessen: De Staat, reviewed by Andrew Thomson, vol.146 no.1890 (Spring 2005), pp.100–03.

Arved Ashby, ed.: The pleasure of modernist music: listening, meaning, intention, ideology, reviewed by John Fallas, vol.146 no.1890 (Spring 2005), pp.106–08.

Karol Berger & Anthony Newcomb, edd.: Music and the aesthetics of modernity: essays, reviewed by Arnold Whittall, vol.146 no.1892 (Autumn 2005), pp.106–08.

Leo Black: Franz Schubert: music and belief, reviewed by Robin Holloway, vol.146 no.1893 (Winter 2005), pp.107–09.

Dieter Borchmeyer: Drama and the world of Richard Wagner, reviewed by Chris Walton, vol.146 no.1891 (Summer 2005), pp.97–102.

Michael Broyles: Mavericks and other traditions in American music, reviewed by Wilfrid Mellers, vol.146 no.1890 (Spring 2005), pp.109–13.

Donald Burrows: Handel and the English Chapel Royal, reviewed by Peter Williams, vol.146 no.1892 (Autumn 2005), pp.108–10.

Nicholas Cook & Anthony Pople, edd.: The Cambridge history of twentieth-century music, reviewed by Christopher Fox, vol.146 no.1890 (Spring 2005), pp.93–96.

Robert Craft: An improbable life: memoirs, reviewed by Allen Shawn, vol.146 no.1890 (Spring 2005), pp.97–100.

Ulrich Drüner: Schöpfer und Zerstörer: Richard Wagner als Künstler, reviewed by Chris Walton, vol.146 no.1891 (Summer 2005), pp.97–102.

David Fanning: Shostakovich: String Quartet no.8, reviewed by Andrew Thomson, vol.146 no.1890 (Spring 2005), pp.100–03.

Laurel E. Fay, ed.: Shostakovich and his world, reviewed by Lyn Henderson, vol.146 no.1890 (Spring 2005), pp.113–15.

Edmund J. Goehring: Three modes of perception in Mozart: the philosophical, pastoral and comic in Così fan tutte, reviewed by Patricia Howard, vol.146 no.1892 (Autumn 2005), pp.104–05.

Dana Gooley: The virtuoso Liszt, reviewed by Peter Williams, vol.146 no.1891 (Summer 2005), pp.113–15.

Daniel M. Grimley, ed.: The Cambridge companion to Sibelius, reviewed by Chris Collins, vol.146 no.1890 (Spring 2005), pp.103–06.

Daniel M. Grimley & Julian Rushton, edd.: The Cambridge companion to Elgar, reviewed by Andrew Thomson, vol.146 no.1892 (Autumn 2005), pp.93–97.

Carol A. Hess: Sacred passions: the life and music of Manuel de Falla, reviewed by Chris Collins, vol.146 no.1892 (Autumn 2005), pp.100–102.

Michael Kassler, ed.: The English Bach awakening: knowledge of JS Bach and his music in England 1750–1830, reviewed by Peter Williams, vol.146 no.1892 (Autumn 2005), pp.98–100.

Paul Kildea, ed.: Britten on music, reviewed by Patricia Howard, vol.146 no.1890 (Spring 2005), pp.89–93.

Joachim Köhler: Der letzte der Titanen: Richard Wagners Leben und Werk, reviewed by Chris Walton, vol.146 no.1891 (Summer 2005), pp.97–102.

Joachim Köhler: Richard Wagner: the last of the titans, reviewed by Robin Holloway, vol.146 no.1891 (Summer 2005), pp.103–106.

Lawrence Kramer: Opera and modern culture: Wagner and Strauss, reviewed by Arnold Whittall, vol.146 no.1891 (Summer 2005), pp.107–112.

Simon McVeigh & Jehoash Hirshberg: The Italian solo concerto, 1700–1760: rhetorical strategies and style history, reviewed by Peter Williams, vol.146 no.1892 (Autumn 2005), pp.108–10.

Donald Mitchell, Philip Reed & Mervyn Cooke, edd.: Letters from a life: selected letters of Benjamin Britten, volume three: 1946–51, reviewed by Patricia Howard, vol.146 no.1890 (Spring 2005), pp.89–93.

Jerrold Northrop Moore: Elgar: child of dreams, reviewed by Andrew Thomson, vol.146 no.1892 (Autumn 2005), pp.93–97.

Steven E. Plank: Choral performance: a guide to historical practice, reviewed by Donald Greig, vol.146 no.1892 (Autumn 2005), pp.102–04.

Eva Rieger: Minna und Richard Wagner: Stationen einer Liebe, reviewed by Chris Walton, vol.146 no.1891 (Summer 2005), pp.97–102.

Jim Samson: Virtuosity and the musical work: the Transcendental Studies of Liszt, reviewed by Peter Williams, vol.146 no.1891 (Summer 2005), pp.113–15.

Martha Schad: ‘Meine erste und einzige Liebe’: Richard Wagner und Mathilde Wesendonck, reviewed by Chris Walton, vol.146 no.1891 (Summer 2005), pp.97–102.

Roger Scruton: Death-devoted heart: sex and the sacred in Wagner’s Tristan and Isolde, reviewed by Chris Walton, vol.146 no.1891 (Summer 2005), pp.97–102.

Claire Seymour: The operas of Benjamin Britten: expression and evasion, reviewed by Patricia Howard, vol.146 no.1890 (Spring 2005), pp.89–93.

Richard Taruskin: The Oxford history of western music, reviewed by Peter Phillips, Patricia Howard, Arnold Whittall, Andrew Thomson & Christopher Fox, vol.146 no.1893 (Winter 2005), pp.87–107.

James Treadwell: Interpreting Wagner, reviewed by Chris Walton, vol.146 no.1891 (Summer 2005), pp.97–102.

Nicholas Vazsonyi: Wagner’s Meistersinger: performance, history, representation, reviewed by Chris Walton, vol.146 no.1891 (Summer 2005), pp.97–102.

Horst Weber & Manuela Schwartz, edd.: Quellen zur Geschichte emigrierter Musiker / Sources relating to the history of emigré musicians 1933–1950: vol.I: California, reviewed by Chris Walton, vol.146 no.1890 (Spring 2005), pp.115–18.

Simon Williams: Wagner and the romantic hero, reviewed by Arnold Whittall, vol.146 no.1891 (Summer 2005), pp.107–112.

Rachel Beckles Willson: György Kurtág: The Sayings of Péter Bornemisza, op.7: a ‘concerto’ for soprano and piano, reviewed by Andrew Thomson, vol.146 no.1890 (Spring 2005), pp.100–03.

Susan Wollenberg & Simon McVeigh, edd.: Concert life in eighteenth-century Britain, reviewed by Patricia Howard, vol.146 no.1891 (Summer 2005), pp.116–117.

In memoriam

Felix Aprahamian, by Nigel Simeone, vol.146 no.1890 (Spring 2005), pp.4–5.

Susan Bradshaw, by David Wright, vol.146 no.1890 (Spring 2005), pp.2–3.

Stanley Sadie, by Barry Millington, vol.146 no.1891 (Summer 2005), pp.4–6.

Eric Sams, by Robin Holloway, vol.146 no.1890 (Spring 2005), p.4.