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Volume 145 (2004)

Articles

Eric L. Altschuler & William Jansen: ‘Thomas Weelkes and Salamone Rossi: some interconnections’, vol.145 no.1888 (Autumn 2004), pp.87–94.

John Arthur: ‘Res obscura: an unsuspected Mozart autograph in Berlin’, vol.145 no.1889 (Winter 2004), pp.26–35.

Stephen Banfield: ‘In the finest tradition: new books on musical theatre’, vol.145 no.1887 (Summer 2004), pp.83–92.

Timothy Bond: ‘Britten’s music for organ: some new discoveries’, vol.145 no.1887 (Summer 2004), pp.51–57.

Seth Brodsky: ‘ “Write the moment”: two ways of dealing with Wolfgang Rihm 1’, vol.145 no.1888 (Autumn 2004), pp.57–71.

Christopher Fox: ‘Tempestuous times: the recent music of Thomas Adès’, vol.145 no.1888 (Autumn 2004), pp.41–56.

Irving Godt: ‘Dominant tension: a glimpse of the pre-history of the modern concert repertory’, vol.145 no.1889 (Winter 2004), pp.75–84.

Michael Graubart: ‘A talent to dispute: new books on Mendelssohn’, vol.145 no.1887 (Summer 2004), pp.93–103.

Michael Graubart: ‘Fallacies and confusions’, vol.145 no.1888 (Autumn 2004), pp.19–24.

Robin Holloway: ‘Ligeti’s half-century’, vol.145 no.1889 (Winter 2004), pp.54–64.
Lawrence Kramer: ‘Music, metaphor and metaphysics’, vol.145 no.1888 (Autumn 2004), pp.5–18.

David Jones: ‘A glimpse of infinity: time and stillness in the music of Jeffrey Lewis’, vol.145 no.1889 (Winter 2004), pp.65–74.

Eva Mantzourani: ‘Nikos Skalkottas: sets and styles in the Octet’, vol.145 no.1888 (Autumn 2004), pp.73–86.

Wilfrid Mellers: ‘Feare no more: myth and miracle in a song of Shakespeare’, vol.145 no.1886 (Spring 2004), pp.75–84.

Peter Phillips: ‘Reclaiming crossover’, vol.145 no.1886 Spring 2004), pp.87–90.

Michael Ryan: ‘John IV of Portugal, king and musician: an anniversary assessment’, vol.145 no.1887 (Summer 2004), pp.58–62.

Donald C. Sanders: ‘Sunday music: the sonatas of Domenico Paradies’ , vol.145 no.1886 Spring 2004), pp.68–74.

Franco Sciannameo: ‘In black and white: Pizzetti, Mussolini and Scipio Africanus’, vol.145 no.1887 (Summer 2004), pp.25–50.

Nigel Simeone: ‘ “Chez Messiaen, tout est prière”: Messiaen’s appointment at the Trinité’, vol.145 no.1889 (Winter 2004), pp.36–53.

Nigel Simeone: ‘Towards “un succès absolument formidable”: the birth of Messiaen’s La Transfiguration’, vol.145 no.1887 (Summer 2004), pp.5–24.

Richard Taruskin: ‘The poietic fallacy’, vol.145 no.1886 (Spring 2004), pp.7–34.

Richard Turbet: ‘Joyful singing: Byrd’s music at a royal christening’, vol.145 no.1886 (Spring 2004), pp.85–86.

Chris Walton: ‘Act of faith: Otto Klemperer and the “Scottish” Symphony’, vol.145 no.1886 (Spring 2004), pp.35–50.

Chris Walton: ‘Bond of broeders: Anton Hartman and music in an apartheid state’, vol.145 no.1887 (Summer 2004), pp.63–74.

Chris Walton: ‘Furtwängler the apolitical?’, vol.145 no.1889 (Winter 2004), pp.5–25.

Arnold Whittall: ‘Problems of reference: celebrating 2004’, vol.145 no.1888 (Autumn 2004), pp.25–39.

Arnold Whittall: ‘Uneasy evaluatives: perspectives on Babbitt’, vol.145 no.1887 (Summer 2004), pp.75–82.

Peter Williams: ‘Peripheral visions?’, vol.145 no.1886 Spring 2004), pp.51–67.

Book reviews

Joseph Auner: A Schoenberg reader, reviewed by Arnold Whittall, vol.145 no.1889 (Winter 2004), pp.105–108.

Hugh Benham: John Taverner: his life and music, reviewed by Peter Phillips, vol.145 no.1889 (Winter 2004), pp.89–91.

Geoffrey Block: Richard Rodgers, reviewed by Stephen Banfield, vol.145 no.1887 (Summer 2004), pp.83–92.

Clive Brown: A portrait of Mendelssohn, reviewed by Michael Graubart, vol.145 no.1887 (Summer 2004), pp.93–103.

Matthew Brown: Debussy’s ‘Ibéria’, reviewed by Chris Collins, vol.145 no.1887 (Summer 2004), pp.118–119.

Mark Carroll : Music and ideology in Cold War Europe, reviewed by Nigel Simeone, vol.145 no.1886 (Spring 2004), pp.91–96.

David Charlton, ed.: The Cambridge companion to grand opera, reviewed by Andrew Thomson, vol.145 no.1886 (Spring 2004), pp.101–105.

Austin Clarkson, ed.: On the music of Stefan Wolpe: essays and recollections, reviewed by Arnold Whittall, vol.145 no.1888 (Autumn 2004), pp.102–106.

John Michael Cooper: Mendelssohn’s ‘Italian’ Symphony, reviewed by Michael Graubart, vol.145 no.1887 (Summer 2004), pp.93–103.

Jonathan Cross, ed.: The Cambridge companion to Stravinsky, reviewed by Andrew Thomson, vol.145 no.1887 (Summer 2004), pp.111–116.

Célestin Deliège: Cinquante ans de modernité musicale: de Darmstadt à l’IRCAM: contribution historiographique à une musicologie critique, reviewed by Nigel Simeone, vol.145 no.1886 (Spring 2004), pp.91–96.

Peter Dickinson, ed.: Copland connotations: studies and interviews, reviewed by Robin Holloway, vol.145 no.1889 (Winter 2004), pp.103–105.

Henri Dutilleux: Music: mystery and memory: conversations with Claude Glayman, reviewed by Nigel Simeone, vol.145 no.1886 (Spring 2004), pp.91–96.

William A. Everett & Paul R. Laird, edd.: The Cambridge companion to the musical, reviewed by Stephen Banfield, vol.145 no.1887 (Summer 2004), pp.83–92.

Dorottya Fabian: Bach performance practice, 1945–1975: a comprehensive review of sound recordings and literature, reviewed by Peter Williams, vol.145 no.1887 (Summer 2004), pp.107–111.

Raymond Fearn: The music of Luigi Dallapiccola, reviewed by Arnold Whittall, vol.145 no.1888 (Autumn 2004), pp.102–106.

Michael Foster: Plotting gigantic worx: the story of Elgar’s Apostles trilogy, reviewed by Wilfrid Mellers, vol.145 no.1887 (Summer 2004), pp.105–107.

Jonathan Glixon: Honoring God and the city: music at the Venetian confraternities, 1260–1807, reviewed by Patricia Howard, vol.145 no.1889 (Winter 2004), pp.91–94.

Paul Griffiths: Sea of fire: Jean Barraqué, reviewed by Arnold Whittall, vol.145 no.1888 (Autumn 2004), pp.102–106.

Mia Hartman: Anton Hartman: dís sy storie, reviewed by Chris Walton, vol.145 no.1887 (Summer 2004), pp.63–74.

Daniel Heartz: Music in European capitals: the galant style, 1720–1780, reviewed by Patricia Howard, vol.145 no.1886 (Spring 2004), pp.112–116.

Wendy Heller: Emblems of eloquence: opera and women’s voices in 17th-century Venice, reviewed by Patricia Howard, vol.145 no.1889 (Winter 2004), pp.91–94.

WJ Henderson: What is good music?: suggestions to persons desiring to cultivate a taste in musical art, reviewed by David Manning, vol.145 no.1888 (Autumn 2004), pp.106–109.

Ivan Hewett: Music: healing the rift, reviewed by David Manning, vol.145 no.1888 (Autumn 2004), pp.106–109.

Berthold Hoeckner: Programming the absolute: nineteenth-century German music and the hermeneutics of the moment, reviewed by Chris Walton, vol.145 no.1886 (Spring 2004), pp.109–111.

Robin Holloway: Robin Holloway on music: essays and diversions: 1963–2003, reviewed by Arnold Whittall, vol.145 no.1886 (Spring 2004), pp.97–101.

Mark Eden Horowitz: Sondheim on music: minor details and major decisions, reviewed by Stephen Banfield, vol.145 no.1887 (Summer 2004), pp.83–92.

Peter Horton: Samuel Sebastian Wesley: a life, reviewed by Andrew Thomson, vol.145 no.1888 (Autumn 2004), pp.95–99.

Samuel Hsu, Sidney Grolnic & Mark Peters, edd.: Claude Debussy As I Knew Him and other writings by Arthur Hartmann, reviewed by Chris Collins, vol.145 no.1889 (Winter 2004), pp.101–103.

William G. Hyland: George Gershwin: a new biography, reviewed by Stephen Banfield, vol.145 no.1887 (Summer 2004), pp.83–92.

Michael Kassler, ed.: Charles Edward Horn’s Memoirs of his Father and Himself, reviewed by Patricia Howard, vol.145 no.1888 (Autumn 2004), pp.100–102.

Michael Kennedy: The life of Elgar, reviewed by Wilfrid Mellers, vol.145 no.1887 (Summer 2004), pp.105–107.

Alison Latham, ed.: Sing, Ariel: essays and thoughts for Alexander Goehr’s seventieth birthday, reviewed by Arnold Whittall, vol.145 no.1886 (Spring 2004), pp.97–101.

Colin Lawson, ed.: The Cambridge companion to the orchestra, reviewed by Peter Williams, vol.145 no.1889 (Winter 2004), pp.85–89.

Daniel Leech-Wilkinson: The modern invention of medieval music: scholarship, ideology, performance, reviewed by Peter Phillips, vol.145 no.1886 (Spring 2004), pp.106–109.

Malcolm Macdonald: Varèse: astronomer in sound, reviewed by Nigel Simeone, vol.145 no.1888 (Autumn 2004), pp.109–110.

Richard Maunder: The scoring of baroque concertos, reviewed by Peter Williams, vol.145 no.1889 (Winter 2004), pp.85–89.

Michael Musgrave, ed.: George Grove, music and Victorian culture, reviewed by Andrew Thomson, vol.145 no.1888 (Autumn 2004), pp.95–99.

Philip Olleson: Samuel Wesley: the man and his music, reviewed by Patricia Howard, vol.145 no.1887 (Summer 2004), pp.116–117.

Stephen Peles, ed.: The collected essays of Milton Babbitt, reviewed by Arnold Whittall, vol.145 no.1887 (Summer 2004), pp.75–82.

Robert Philip: Performing music in the age of recording, reviewed by David Wright, vol.145 no.1889 (Winter 2004), pp.98–100.

Fred Plotkin: Classical music unbuttoned: a complete guide to learning and loving classical music, reviewed by David Manning, vol.145 no.1888 (Autumn 2004), pp.106–109.

John A. Rice: Empress Marie Therese and the music at the Viennese court, 1792–1807, reviewed by Patricia Howard, vol.145 no.1886 (Spring 2004), pp.112–116.

Rebecca Rischin: For the end of Time: the story of the Messiaen Quartet, reviewed by Nigel Simeone, vol.145 no.1886 (Spring 2004), pp.91–96.

John Spitzer & Neal Zaslaw: The birth of the orchestra: history of an institution, 1650–1815, reviewed by Peter Williams, vol.145 no.1889 (Winter 2004), pp.85–89.

Michael Spitzer: Metaphor and musical thought, reviewed by Arnold Whittall, vol.145 no.1889 (Winter 2004), pp.95–98.

Michael P. Steinberg: Listening to reason: culture, subjectivity, and nineteenth-century music, reviewed by Arnold Whittall, vol.145 no.1889 (Winter 2004), pp.95–98.

Joseph P. Swain: The Broadway musical: a critical and musical survey, second edition, reviewed by Stephen Banfield, vol.145 no.1887 (Summer 2004), pp.83–92.

Nicholas Temperley: Bound for America: three British composers, reviewed by Patricia Howard, vol.145 no.1888 (Autumn 2004), pp.100–102.

Marianne Williams Tobias: Classical music without fear: a guide for general audiences, reviewed by David Manning, vol.145 no.1888 (Autumn 2004), pp.106–109.

R. Larry Todd: Mendelssohn: a life in music, reviewed by Michael Graubart, vol.145 no.1887 (Summer 2004), pp.93–103.

Richard Troeger: Playing Bach on the keyboard: a practical guide, reviewed by Peter Williams, vol.145 no.1887 (Summer 2004), pp.107–111.

Peter Walls: History, imagination and the performance of music, reviewed by Peter Williams, vol.145 no.1887 (Summer 2004), pp.107–111.

David Walsh & Len Platt: Musical theater and American culture, reviewed by Stephen Banfield, vol.145 no.1887 (Summer 2004), pp.83–92.

Peter Williams: The life of Bach, reviewed by Wilfrid Mellers , vol.145 no.1886 (Spring 2004), pp.116–118.

Ian Woodfield: Salomon and the Burneys: private patronage and a public career, reviewed by Patricia Howard, vol.145 no.1888 (Autumn 2004), pp.100–102.

Music review

Mendelssohn Bartholdy, ed. Chrisopher Hogwood: Die schöne Melusine: Ouvertüre op.32: first (1834) and second (1835) versions, reviewed by Michael Graubart, vol.145 no.1887 (Summer 2004), pp.93–103.