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Volume 144 (2003)

Articles

Altschuler, Eric Lewin & Jansen, William: ‘Gentlemen at large: Musica Transalpina and Marenzio’s interpolator’, vol.144 no.1885 (Winter 2003), pp.20–27.

Altschuler, Eric Lewin & Jansen, William: ‘Wondrous Weelkes: further aspects of “Thule” ’, vol.144 no.1882 (Spring 2003), pp.40–43.

Bartel, Dietrich: ‘Ethical gestures: rhetoric in German Baroque music’, vol.144 no.1885 (Winter 2003), pp.15–19.

Bartlett, Ian: ‘Lambert, Finzi and the anatomy of the Boyce revival’, vol.144 no.1884 (Autumn 2003), pp.54–59.

Bretherton, David: ‘In search of Schubert’s Doppelgänger’, vol.144 no.1884 (Autumn 2003), pp.45–50.

Brown, David: ‘Deciphering Liszt: the B minor Sonata revisited’, vol.144 no.1882 (Spring 2003), pp.6–15.

Collins, Chris: ‘Falla in Britain’, vol.144 no.1883 (Summer 2003), pp.33–48.

Fox, Christopher: ‘Sharp practice: Gavin Bryars at 60’, vol.144 no.1884 (Autumn 2003), pp.15–25.

Gilmore, Bob: ‘Butterfly effect: Frank Denyer at 60’, vol.144 no.1882 (Spring 2003), pp.27–31.

Godt, Irving: ‘The Meistersingers’ hidden heritage’, vol.144 no.1885 (Winter 2003), pp.35–37.

Graubart, Michael: ‘Themes and motives 1: integration in Schubert’, vol.144 no.1884 (Autumn 2003), pp.37–44.

Graubart, Michael: ‘Themes and motives 2: further integration in Schubert’, vol.144 no.1885 (Winter 2003), pp.28–34.

Henderson, Lyn: ‘The vital Prokofiev: his influence on Britten’, vol.144 no.1882 (Spring 2003), pp.16–19.

Holman, Peter: ‘Did Handel invent the English keyboard concerto?’, vol.144 no.1883 (Summer 2003), pp.13–22.

Hunter, David: ‘The great pretender: Monsieur le Comte de Saint-Germain’, vol.144 no.1885 (Winter 2003), pp.40–44.

Hyde, Thomas: ‘Visions of reality: David Matthews at 60’, vol.144 no.1882 (Spring 2003), pp.33–39.

Kassler, Michael & Olleson, Philip: ‘New Samuel Wesleyana: more professional and social correspondence’, vol.144 no.1883 (Summer 2003), pp.49–53.

Kramer, Lawrence: ‘Musicology and meaning’, vol.144 no.1883 (Summer 2003), pp.6–12.

Jones, Nicholas: ‘Luminous, but with shadows: Anthony Powers at 50’, vol.144 no.1884 (Autumn 2003), pp.26–35.

Sassoon, Humphrey F.: ‘Royal peculiar: JS Bach’s Musical Offering and the source of its theme’, vol.144 no.1885 (Winter 2003), pp.38–39.

Silverman, Gerald: ‘New light, but also more confusion, on “Es muss sein”’, vol.144 no.1884 (Autumn 2003), pp.51–53.

Walsh, Fiona: ‘Crowning the opus: Prokofiev’s op.38 and op.135’, vol.144 no.1882 (Spring 2003), pp.21–26.

Walton, Chris: ‘Knowing Kirchner’, vol.144 no.1885 (Winter 2003), pp.5–14.

Whittall, Arnold: ‘Connections and constellations: Hollway and Ferneyhough at 60’, vol.144 no.1883 (Summer 2003), pp.23–32.

Wintle, Christopher: ‘Keller via Freud: from psychology to music’, vol.144 no.1884 (Autumn 2003), pp.7–13.

Book reviews

Adorno, Theodor W.: Essays on music, reviewed by David Clarke, vol.144 no.1883 (Summer 2003), pp.54–59.

Andriessen, Louis: The art of stealing time, reviewed by Arnold Whittall, vol.144 no.1883 (Summer 2003), pp.72–73.

Applegate, Celia & Potter, Pamela, edd.: Music & German national identity, reviewed by Arnold Whittall, vol.144 no.1884 (Autumn 2003), pp.62–63.

Bailey, Candace: Seventeenth-century British keyboard sources, reviewed by David J. Smith, vol.144 no.1884 (Autumn 2003), pp.72–73.

Berger, Arthur: Reflections of an American composer, reviewed by Arnold Whittall, vol.144 no.1884 (Autumn 2003), pp.70–71.

Bloom, Peter, ed.: Berlioz: past, present, future, reviewed by Andrew Thomson, vol.144 no.1885 (Winter 2003), pp.58–61.

Buch, Esteban: Beethoven’s Ninth: a political history, reviewed by Michael Graubart, vol.144 no.1885 (Winter 2003), pp.52–57.

Carter, Tim: Monteverdi’s musical theatre, reviewed by Peter Williams, vol.144 no.1884 (Autumn 2003), pp.69–70.

Cooper, John Michael & Prandi, Julie D.: The Mendelssohns: their music in history, reviewed by Peter Williams, vol.144 no.1884 (Autumn 2003), pp.71–72.

Dibble, Jeremy: Charles Villiers Stanford: man and musician, reviewed by Robert Anderson, vol.144 no.1882 (Spring 2003), pp.48–50.

Dibble, Jeremy & Zon, Bennett, edd.: Nineteenth-century British music studies volume 2, reviewed by David Wright, vol.144 no.1882 (Spring 2003), pp.44–47.

Everist, Mark: Music drama at the Paris Odéon 1824–1828, reviewed by Andrew Thomson, vol.144 no.1883 (Summer 2003), pp.70–72.

Flothuis, Marius: Mozart’s piano concertos, reviewed by William Drabkin, vol.144 no.1885 (Winter 2003), pp.45–51.

Garnham, AM: Hans Keller and the BBC: the musical conscience of British broadcasting 1959–79, reviewed by David Wright, vol.144 no.1883 (Summer 2003), pp.67–69.

Garratt, James: Palestrina and the German Romantic imagination, reviewed by Peter Phillips, vol.144 no.1884 (Autumn 2003), p.64.

Hallman, Diana R.: Opera, liberalism, and antisemitism in nineteenth-century France: the politics of Halévy’s La Juive, reviewed by Andrew Thomson, vol.144 no.1883 (Summer 2003), pp.70–72.

Hayes, Malcolm, ed.: The selected letters of William Walton, reviewed by Stephen Banfield, vol.144 no.1883 (Summer 2003), pp.60–63.

Hochreither, Karl: Performance practice of the instrumental-vocal works of Johann Sebastian Bach, reviewed by Peter Williams, vol.144 no.1883 (Summer 2003), pp.64–66.

Hughes, Merion, ed.: The English musical renaissance and the press 1850–1914: watchmen of music, reviewed by David Wright, vol.144 no.1882 (Spring 2003), pp.44–47.

Irving, John: Mozart’s piano concertos, reviewed by William Drabkin, vol.144 no.1885 (Winter 2003), pp.45–51.

Jones, Bryony: The music of Lord Berners (1883–1950): ‘The Versatile Peer’, reviewed by Andrew Thomson, vol.144 no.1884 (Autumn 2003), pp.68–69.

Keefe, Simon P.: Mozart’s piano concertos: dramatic dialogue in the age of Enlightenment, reviewed by William Drabkin, vol.144 no.1885 (Winter 2003), pp.45–51.

Kildea, Paul: Selling Britten: music and the market place, reviewed by David Wright, vol.144 no.1883 (Summer 2003), pp.67–69.

Korsyn, Kevin: Decentering music: a critique of contemporary musical research, reviewed by Peter Williams, vol.144 no.1885 (Winter 2003), pp.62–63.

Ledbetter, David: Bach’s Well-tempered Clavier: the 48 Preludes and Fugues, reviewed by Peter Williams, vol.144 no.1883 (Summer 2003), pp.64–66.

Lockwood, Lewis: Beethoven: the music and the life, reviewed by Michael Graubart, vol.144 no.1885 (Winter 2003), pp.52–57.

Lloyd, Stephen: William Walton: muse of fire, reviewed by Stephen Banfield, vol.144 no.1883 (Summer 2003), pp.60–63.

Macdonald, Hugh: Berlioz’s orchestration treatise: a translation and commentary, reviewed by Andrew Thomson, vol.144 no.1882 (Spring 2003), pp.51–55.

Maes, Francis: A history of Russian music: from Kamarinskaya to Babi Yar, reviewed by Willem Vijvers, vol.144 no.1882 (Spring 2003), pp.72–73.

Nice, David: Prokofiev: from Russia to the West 1891–1935, reviewed by Lyn Henderson, vol.144 no.1884 (Autumn 2003), p.65.

Nichols, Roger: The harlequin years, reviewed by Nigel Simeone, vol.144 no.1882 (Spring 2003), pp.56–60.

Painter, Karen, ed.: Mahler and his world, reviewed by Chris Walton, vol.144 no.1885 (Winter 2003), pp.61–62.

Reich, Steve: Writings on music 1965–2000, reviewed by Arnold Whittall, vol.144 no.1882 (Spring 2003), pp.61–64.

Rink, John, ed.: Musical performance: a guide to understanding, reviewed by Peter Williams, vol.144 no.1882 (Spring 2003), pp.70–71.

Robinson, Suzanne, ed.: Michael Tippett: music and literature, reviewed by David Wright, vol.144 no.1883 (Summer 2003), pp.67–69.

Rodmell, Paul: Charles Villiers Stanford, reviewed by Robert Anderson, vol.144 no.1882 (Spring 2003), pp.48–50.

Rorem, Ned: A Ned Rorem reader, reviewed by Arnold Whittall, vol.144 no.1882 (Spring 2003), pp.61–64.

Rushton, Julian: The music of Berlioz, reviewed by Andrew Thomson, vol.144 no.1882 (Spring 2003), pp.51–55.

Samson, Jim & Zon, Bennett, edd.: Nineteenth-century music: selected proceedings of the Tenth International Conference, reviewed by Chris Walton, vol.144 no.1882 (Spring 2003), pp.69–70.

Schmidt, Carl B.: Entrancing muse: a documented biography of Francis Poulenc, reviewed by Nigel Simeone, vol.144 no.1883 (Summer 2003), pp.76–77.

Seeger, Ruth Crawford: The Music of American Folk Song and other writings on American music, reviewed by Arnold Whittall, vol.144 no.1882 (Spring 2003), pp.61–64.

Simeone, Nigel, ed.: ‘Dear Maître Tournemire’: Charles Tournemire’s correspondence with Felix Aprahamian and his visit to London in 1936, reviewed by Andrew Thomson, vol.144 no.1884 (Autumn 2003), pp.66–67.

Skowron, Zbigniew: Lutoslawski studies, reviewed by Amanda Bayley, vol.144 no.1882 (Spring 2003), pp.71–72.

Smith, Jeremy L.: Thomas East and music publishing in Renaissance England, reviewed by David J. Smith, vol.144 no.1885 (Winter 2003), pp.63–64.

Solomon, Maynard: Late Beethoven: music, thought, imagination, reviewed by Michael Graubart, vol.144 no.1885 (Winter 2003), pp.52–57.

Talbot, Michael, ed.: The business of music, reviewed by David Wright, vol.144 no.1882 (Spring 2003), pp.44–47.

Thomas, Downing A.: Aesthetics of opera in the ancien régime, 1647–1785, reviewed by Andrew Thomson, vol.144 no.1883 (Summer 2003), pp.77–78.

Tresize, Simon, ed.: The Cambridge companion to Debussy, reviewed by Andrew Thomson, vol.144 no.1885 (Winter 2003), pp.58–61.

Yearsley, David: Bach and the meanings of counterpoint, reviewed by Peter Williams, vol.144 no.1883 (Summer 2003), pp.64–66.

Watkins, Glenn: Proof through the night: music and the Great War, reviewed by Arnold Whittall, vol.144 no.1884 (Autumn 2003), pp.60–61.

Whittall, Arnold: Exploring twentieth-century music: tradition and innovation, reviewed by Nigel Simeone, vol.144 no.1884 (Autumn 2003), pp.67–68.

Zemanová, Mirka: Janácek: a composer’s life, reviewed by Nigel Simeone, vol.144 no.1883 (Summer 2003), pp.74–75.

CD review

Rzewski, Frederic: Rzewski plays Rzewski: piano works 1975–1999, reviewed by Christopher Fox, vol.144 no.1882 (Spring 2003), pp.65–68.

Obituaries

Berio, Luciano, vol.144 no.1884 (Autumn 2003), pp.4–6.

Browning, John, vol.144 no.1882 (Spring 2003), pp.4–5.

Harrison, Lou, vol.144 no.1882 (Spring 2003), p.4.