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Volume 143 (2002)

Articles

Altschuler, Eric Lewin & Jansen, William: ‘Men of letters: Thomas Weelkes’s text authors’, vol.143 no.1879 (Summer 2002), pp.17–24.

Arac?, Emre: ‘A Levantine life: Giuseppe Donizetti at the Ottoman court’, vol.143 no.1880 (Autumn 2002), pp.49–56.

Bamford-Milroy, Pat: ‘Fleisch und Blut: Alban Berg and Albine Wittula’, vol.143 no.1881 (Winter 2002), pp.57–62.

Cowgill, Rachel: ‘The Halifax Judas: an unknown Handel arrangement by Mozart?’, vol.143 no.1878 (Spring 2002), pp.19–36.

Fox, Christopher: ‘Under the lens: Michael Finnissy’s History of Photography in Sound’, vol.143 no.1879 (Summer 2002), pp.26–35.

Jones, Nicholas: ‘Dominant logic: Peter Maxwell Davies’s basic unifying hypothesis’, vol.143 no.1878 (Spring 2002), pp.37–45.

Komlós, Katalin: ‘Piping time: Mozart and the organ’, vol.143 no.1880 (Autumn 2002), pp.59–61.

Payne, Ian: ‘In Bethlehem town: recomposition and rearrangement in William Cobbold’, vol.143 no.1881 (Winter 2002), pp.42–55.

Sciannameo, Franco: ‘Aspects of Alfano: Turandot, Mussolini, and the Second String Quartet’, vol.143 no.1881 (Winter 2002), pp.27–41.

Simeone, Nigel: ‘Group identities: La Spirale and La Jeune France’, vol.143 no.1880 (Autumn 2002), pp.10–36.

Simeone, Nigel: ‘The science of enchantment: music at the 1937 Paris Exposition’, vol.143 no.1878 (Spring 2002), pp.9–17.

Smith, David J.: ‘Francis Tregian the Younger as music copyist: a legend?’, vol.143 no.1879 (Summer 2002), pp.7–16.

Temperley, Nicholas: ‘Tune or no tune?’, vol.143 no.1881 (Winter 2002), pp.2–5.

Walton, Chris: ‘Braut und Schwester bist du dem Bruder: Wagner, Otto and the three Mathildes’, vol.143 no.1880 (Autumn 2002), pp.37–47.

Whittall, Arnold: ‘Echoes of old beliefs: Birtwistle’s Last Supper and Adams’s El Niño’, vol.143 no.1881 (Winter 2002), pp.16–26.

Wood, Marc: ‘Of church and circus: Pierné in perspective’, vol.143 no.1878 (Spring 2002), pp.47–53.

Book reviews

Abbate, Carolyn: In search of opera, reviewed by Arnold Whittall, vol.143 no.1879 (Summer 2002), pp.44–46.

Bartók, Peter: My father, reviewed by Arnold Whittall, vol.143 no.1881 (Winter 2002), pp.79–80.

Burton, Anthony, ed.: A performer’s guide to music of the Baroque period, reviewed by Peter Williams, vol.143 no.1881 (Winter 2002), pp.63–65.

Burton, Anthony, ed.: A performer’s guide to music of the Classic period, reviewed by Peter Williams, vol.143 no.1881 (Winter 2002), pp.63–65.

Burton, Anthony, ed.: A performer’s guide to music of the Romantic period, reviewed by Peter Williams, vol.143 no.1881 (Winter 2002), pp.63–65.

Butt, John: Playing with history: the historical approach to musical performance, reviewed by Peter Williams, vol.143 no.1880 (Autumn 2002), pp.68–69.

Citron, Stephen: Sondheim and Lloyd-Webber: the new musical, reviewed by Stephen Banfield, vol.143 no.1878 (Spring 2002), pp.60–63.

Crittenden, Camille: Johann Strauss and Vienna: operetta and the politics of popular culture, reviewed by Stephen Banfield, vol.143 no.1878 (Spring 2002), pp.60–63.

Etter, Brian K.: From classicism to modernism: western musical culture and the metaphysics of order, reviewed by Michael Fuller, vol.143 no.1879 (Summer 2002), pp.79–80.

Ferguson, Howard & Hurd, Michael, edd.: Letters of Gerald Finzi & Howard Ferguson, reviewed by Richard Drakeford, vol.143 no.1878 (Spring 2002), pp.66–67.

Frogley, Alain: Vaughan Williams’s Ninth Symphony, reviewed by Robert Anderson, vol.143 no.1878 (Spring 2002), pp.67–68.

Fulcher, Jane F.: Debussy and his world, reviewed by Andrew Thomson, vol.143 no.1881 (Winter 2002), pp.78–79.

Glikman, Isaak: Story of a friendship: the letters of Dmitry Shostakovich to Isaak Glikman with a commentary by Isaak Glikman, reviewed by Susan Bradshaw, vol.143 no.1878 (Spring 2002), pp.65–66.

Grant, MJ: Serial music, serial aesthetics: compositional theory in post-war Europe, reviewed by Nicholas Jones, vol.143 no.1879 (Summer 2002), pp.78–79.

Hardy, Lisa: The British piano sonata: 1870–1945, reviewed by Stephen Banfield, vol.143 no.1881 (Winter 2002), pp.66–69.

Herissone, Rebecca: Music theory in seventeenth-century England, reviewed by Peter Williams, vol.143 no.1878 (Spring 2002), pp.64–65.

Hess, Carol A.: Manuel de Falla and modernism in Spain, 1898–1936, reviewed by Andrew Thomson, vol.143 no.1880 (Autumn 2002), pp.69–70.

Hill, Peter: Stravinsky: The Rite of Spring, reviewed by Anthony Gritten, vol.143 no.1879 (Summer 2002), pp.66–73.

Horrall, Andrew: Popular culture in London c.1890–1918: the transformation of entertainment, reviewed by Stephen Banfield, vol.143 no.1878 (Spring 2002), pp.60–63.

Hughes, Merion & Stradling, Robert: The English musical renaissance 1840–1940: constructing a national music, reviewed by David Wright, vol.143 no.1879 (Summer 2002), pp.47–50.

Johnson, Steven, ed.: The New York schools of music and visual arts, reviewed by Christopher Fox, vol.143 no.1881 (Winter 2002), pp.73–76.

Joseph, Charles M.: Stravinsky and Balanchine: a journey of invention, reviewed by Arnold Whittall, vol.143 no.1881 (Winter 2002), pp.79–80.

Joseph, Charles M.: Stravinsky inside out, reviewed by Anthony Gritten, vol.143 no.1879 (Summer 2002), pp.66–73.

Judd, Cristle Collins: Reading Renaissance music theory: hearing with the eyes, reviewed by Peter Williams, vol.143 no.1878 (Spring 2002), pp.64–65.

Kassler, Michael & Olleson, Philip: Samuel Wesley: a sourcebook, reviewed by Fiona Palmer, vol.143 no.1879 (Summer 2002), pp.58–61.

Kramer, Lawrence: Musical meaning: toward a critical history, reviewed by Peter Williams, vol.143 no.1879 (Summer 2002), pp.42–43.

Lamb, Andrew: 150 years of popular musical theatre, reviewed by Stephen Banfield, vol.143 no.1878 (Spring 2002), pp.60–63.

Letzter, Jacqueline & Adelson, Robert: Women writing opera: creativity and controversy in the age of the French Revolution, reviewed by Patricia Howard, vol.143 no.1878 (Spring 2002), pp.58–59.

Macy, Laura, ed.: The new Grove dictionary of music and musicians, online version, reviewed by Peter Phillips, vol.143 no.1879 (Summer 2002), pp.74–77.

McGuire, Charles Edward: Elgar’s oratorios: the creation of an epic narrative, reviewed by Stephen Banfield, vol.143 no.1881 (Winter 2002), pp.66–69.

Morris, Christopher: Reading opera between the lines: orchestral interludes and cultural meaning from Wagner to Berg, reviewed by Arnold Whittall, vol.143 no.1880 (Autumn 2002), pp.70–71.

Nicholls, David, ed.: The Cambridge companion to John Cage, reviewed by Christopher Fox, vol.143 no.1881 (Winter 2002), pp.73–76.

Olleson, Philip: The letters of Samuel Wesley: professional and social correspondence, 1797–1837, reviewed by Fiona Palmer, vol.143 no.1879 (Summer 2002), pp.58–61.

Osborne, Richard: ‘Till I end my song’: English music and musicians 1440–1940: a perspective from Eton, reviewed by Peter Phillips, vol.143 no.1881 (Winter 2002), pp.77–78.

Parker, Roger & Smart, Mary Ann: Reading critics reading: opera and ballet criticism in France from the Revolution to 1848, reviewed by Patricia Howard, vol.143 no.1878 (Spring 2002), pp.58–59.

Puffett, Kathryn Bailey: Derrick Puffett on music, reviewed by Andrew Thomson, vol.143 no.1879 (Summer 2002), pp.51–57.

Ratner, Sabina Teller: Camille Saint-Saëns 1835–1921: a thematic catalogue of his complete works, volume 1: the instrumental works, reviewed by Nigel Simeone, vol.143 no.1880 (Autumn 2002), pp.62–65.

Rohr, Deborah: The careers of British musicians 1750–1850: a profession of artisans, reviewed by Fiona Palmer, vol.143 no.1879 (Summer 2002), pp.58–61.
Rupprecht, Philip: Britten’s musical language, reviewed by David Wright, vol.143 no.1880 (Autumn 2002), pp.66–67.

Sadie, Stanley & Tyrell, John, edd.: The new Grove dictionary of music and musicians, second edition, reviewed by Peter Phillips, vol.143 no.1879 (Summer 2002), pp.74–72.

Samson, Jim, ed.: The Cambridge history of nineteenth-century music, reviewed by Chris Walton, vol.143 no.1881 (Winter 2002), pp.70–69.

Scott-Sutherland, Colin, ed.: Ideala: love letters and poems of Arnold Bax, reviewed by Stephen Banfield, vol.143 no.1881 (Winter 2002), pp.66–69.

Self, Geoffrey: Light music in Britain since 1870: a survey, reviewed by Stephen Banfield, vol.143 no.1881 (Winter 2002), pp.66–69.

Sherr, Richard: The Josquin companion, reviewed by Allan W. Atlas, vol.143 no.1879 (Summer 2002), pp.62–65.

Stephenson, Lesley: Symphony of dreams: the conductor and patron Paul Sacher, reviewed by Arnold Whittall, vol.143 no.1880 (Autumn 2002), pp.73–74.

Straus, Joseph: Stravinsky’s late music, reviewed by Anthony Gritten, vol.143 no.1879 (Summer 2002), pp.66–73.

Suchoff, Benjamin: Bela Bartók: life and work, reviewed by Richard Drakeford, vol.143 no.1880 (Autumn 2002), pp.72–73.

Swynnoe, Jan G.: The best years of British film music, 1936–1958, reviewed by Stephen Banfield, vol.143 no.1881 (Winter 2002), pp.66–69.

Tovey, Donald Francis: The classics of music: talks, essays, and other writings previously uncollected, reviewed by Andrew Thomson, vol.143 no.1879 (Summer 2002), pp.51–57.

Warrack, John: German opera: from the beginnings to Wagner, reviewed by Robert Anderson, vol.143 no.1880 (Autumn 2002), pp.71–72.

Williams, Alastair: Constructing musicology, reviewed by Arnold Whittall, vol.143 no.1878 (Spring 2002), pp.54–57.

Wollenberg, Susan: Music at Oxford in the eighteenth and nineteenth centuries, reviewed by Peter Phillips, vol.143 no.1881 (Winter 2002), pp.77–78.

Music reviews

Bach, JS: The art of fugue, reviewed by Peter Williams, vol.143 no.1881 (Winter 2002), pp.63–65.

Mozart, WA: Mature piano pieces, reviewed by Peter Williams, vol.143 no.1881 (Winter 2002), pp.63–65.

Offenbach, Jacques: Orphée aux enfers, reviewed by Nigel Simeone, vol.143 no.1879 (Summer 2002), pp.39–41.

Saint-Saëns, Camille: Cello Concerto no.1 in A minor, op.33, reviewed by Nigel Simeone, vol.143 no.1880 (Autumn 2002), pp.62–65.

Saint-Saëns, Camille: ‘Elephant’, from Carnival of the Animals, reviewed by Nigel Simeone, vol.143 no.1880 (Autumn 2002), pp.62–65.

Saint-Saëns, Camille: Violin Concerto no.3 in B minor, op.61, reviewed by Nigel Simeone, vol.143 no.1880 (Autumn 2002), pp.62–65.

Obituaries

Brown, Earle, vol.143 no.1880 (Autumn 2002), pp.5–6.

Daniel-Lesur, vol.143 no.1881 (Winter 2002), pp.6–8.

Delay, Dorothy, vol.143 no.1879 (Summer 2002), p.4.

Brett, Philip, vol.143 no.1881 (Winter 2002), pp.12–13.

Brown, Earle, vol.143 no.1880 (Autumn 2002), pp.5–6.

Farrell, Eileen, vol.143 no.1879 (Summer 2002), pp.4–5.

Hemmings, Peter, vol.143 no.1878 (Spring 2002), p.8.

Howard, Michael, vol.143 no.1878 (Spring 2002), pp.6–8.

Kónya, Sándor, vol.143 no.1880 (Autumn 2002), p.8.

Milner, Anthony, vol.143 no.1881 (Winter 2002), pp.8–12.

Mödl, Martha, vol.143 no.1878 (Spring 2002), pp.4–5.

Ornstein, Leo, vol.143 no.1879 (Summer 2002), p.5.

Sala, Oskar, vol.143 no.1878 (Spring 2002), pp.5–6.

Shapey, Ralph, vol.143 no.1880 (Autumn 2002), pp.6–7.

Shulman, Alan, vol.143 no.1880 (Autumn 2002), pp.7–8.

Svetlanov, Yevgeny, vol.143 no.1879 (Summer 2002), p.4.

Thomas, Janet Owen, vol.143 no.1880 (Autumn 2002), p.8.

Wand, Günter, vol.143 no.1878 (Spring 2002), p.5.