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Volume 142 (2001)

Articles

Altschuler, Eric Lewin: ‘Trumpet major?: JS Bach and the Reiche portrait’, vol.142 no.1876 (Autumn 2001), pp.29–31.

Atlas, Allan W.: ‘Italian impressions: George Gissing on music’, vol.142 no.1875 (Summer 2001), pp.27–37.

Bouwman, Frans: ‘Unfinished business: editing Mahler 10’, vol.142 no.1877 (Winter 2001), pp.43–51.

Fox, Christopher: ‘Life is beautiful: Richard Ayres in focus’, vol.142 no.1875 (Summer 2001), pp.39–52.

Gritten, Anthony: ‘Mystères de l’instant: some notes on epiphany’, vol.142 no.1874 (Spring 2001), pp.11–16.

Hewett, Ivan: ‘Different strains’, vol.142 no.1876 (Autumn 2001), pp.2–3.

Jenkins, John S.: ‘Look to the lady: Leopold Mozart’s Madame Wynne’, vol.142 no.1874 (Spring 2001), pp.29–32.

Kurtzman, Jeffrey: ‘Write to reply: Kurtzman on Holman’, vol.142 no.1877 (Winter 2001), pp.52–60.

Maxim, Christopher: ‘A postcard from Rome?: Hugh Facy’s Ave Maris Stella’, vol.142 no.1876 (Autumn 2001), pp.33–38.

Milsom, John: ‘Tracking Tomkins: three verse anthems retrieved’, vol.142 no.1875 (Summer 2001), pp.54–63.

Mellers, Wilfrid: ‘Sad tales for winter: Britten’s “Lyrics and ballads of Thomas Hardy”’, vol.142 no.1877 (Winter 2001), pp.27–33.

Payne, Ian: ‘Capital gains: another Händel
borrowing from Telemann’, vol.142 no.1874 (Spring 2001), pp.33–42.

Phillips, Peter: ‘Beyond words’, vol.142 no.1874 (Spring 2001), pp.2–3.

Pickard, John: ‘Redeeming Rubbra: generic fusion in the “Sinfonia Sacra”’, vol.142 no.1877 (Winter 2001), pp.34–38.

Puffett, Kathryn: ‘Puffett’s progress: from the diary of a music analyst’, vol.142 no.1877 (Winter 2001), pp.16–26.

Rink, John: ‘Perahia’s musical dialogue: Chopin in performance’, vol.142 no.1877 (Winter 2001), pp.9–15.

Sciannameo, Franco: ‘Remembering Scelsi: a personal memoir’, vol.142 no.1875 (Summer 2001), pp.22–26.

Simeone, Nigel: ‘Offrandes oubliées 2: Messiaen, Boulanger, and José Bruyr’, vol.142 no.1874 (Spring 2001), pp.17–22.

Smith, Nicola Walker: ‘Mutually speaking: Feldman on Wolff and Wolff on Feldman’, vol.142 no.1877 (Autumn 2001), pp.24–28.

Whittall, Arnold: ‘Beyond Britten’, vol.142 no.1877 (Winter 2001), pp.2–3.

Whittall, Arnold: ‘Overlapping opposites: Schoenberg since 1951’, vol.142 no.1876 (Autumn 2001), pp.11–20.

Whittall, Arnold: ‘Three for all: Andriessen’s recent music’, vol.142 no.1875 (Summer 2001), pp.9–20.

Williams, Peter: ‘Sister acts’, vol.142 no.1875 (Summer 2001), pp.2–3.

Witts, Richard: ‘Remastering the past: “renewal” in recent British music’, vol.142 no.1877 (Autumn 2001), pp.7–10.

Wood, Marc: ‘Springing surprises: Henri Sauguet’, vol.142 no.1874 (Spring 2001), pp.23–27.

Book reviews

Allen, Kevin: August Jaeger: portrait of Nimrod: a life in letters and other writings, reviewed by Robert Anderson, vol.142 no.1874 (Spring 2001), pp.61–62.

Ammer, Christine: Unsung: a history of women in American music, reviewed by Andrew Thomson, vol.142 no.1876 (Autumn 2001), pp.62–63.

Antokoletz, Elliott, Fischer, Victoria & Suchoff, Benjamin, edd.: Bartók perspectives: man, composer and ethnomusicologist, reviewed by Richard Drakeford, vol.142 no.1876 (Autumn 2001), pp.59–61.

Bashford, Christina & Langley, Leanne, edd.: Music and British culture, 1785–1914: essays in honour of Cyril Ehrlich, reviewed by Stephen Banfield, vol.142 no.1876 (Autumn 2001), pp.55–58.

Bayley, Amanda, ed.: The Cambridge companion to Bartók, reviewed by Richard Drakeford, vol.142 no.1876 (Autumn 2001), pp.59–61.

Bellman, Jonathan, ed.: The exotic in western music, reviewed by Stephen Banfield, vol.142 no.1876 (Autumn 2001), pp.55–58.

Beyer, Anders: The voice of music: conversations with composers of our time, reviewed by Arnold Whittall, vol.142 no.1875 (Summer 2001), pp.73–74.

Bloom, Peter, ed.: The Cambridge companion to Berlioz, reviewed by Andrew Thomson, vol.142 no.1875 (Summer 2001), pp.64–69.

Born, Georgina & Hesmondhalgh, David, edd.: Western music and its Others: difference, representation, and appropriation in music, reviewed by Stephen Banfield, vol.142 no.1876 (Autumn 2001), pp.55–58.

Bowen, Meirion, ed.: Gerhard on music: selected writings, reviewed by Andrew Thomson, vol.142 no.1874 (Spring 2001), pp.48–49.

Burden, Michael, ed.: Henry Purcell’s operas: the complete texts, reviewed by Peter Holman, vol.142 no.1874 (Spring 2001), pp.56–58.

Bush, Nancy: Alan Bush: music, politics and life, reviewed by Richard Drakeford, vol.142 no.1874 (Spring 2001), pp.50–52.

Caballero, Carlo: Fauré and French musical aesthetics, reviewed by Andrew Thomson, vol.142 no.1877 (Winter 2001), pp.67–68.

Cairns, David: Berlioz, volume two: servitude and greatness 1832–1869, reviewed by Andrew Thomson, vol.142 no.1875 (Summer 2001), pp.64–69.

Chimènes, Myriam: La vie musicale sous Vichy, reviewed by Nigel Simeone, vol.142 no.1876 (Autumn 2001), pp.64–66.

Citron, Marcia J.: Opera on screen, reviewed by Erica Jeal, vol.142 no.1874 (Spring 2001), pp.65–66.

Clarke, David: The music and thought of Michael Tippett: modern times and metaphysics, reviewed by Robin Holloway, vol.142 no.1877 (Winter 2001), pp.63–64.

Crawford, Richard: America’s musical life: a history, reviewed by David Wright, vol.142 no.1877 (Winter 2001), pp.62–63.

Davison, Peter, ed.: Reviving the muse: essays on music after modernism, reviewed by Arnold Whittall, vol.142 no.1875 (Summer 2001), pp.73–74.

Day, Timothy: A century of recorded music: listening to musical history, reviewed by Peter Phillips, vol.142 no.1875 (Summer 2001), pp.70–72.

Dürr, Alfred: Johann Sebastian Bach’s St John Passion: genesis, transmission and meaning, reviewed by Peter Williams, vol.142 no.1874 (Spring 2001), pp.63–64.

Girardi, Michele: Puccini: his international art, reviewed by John Steane, vol.142 no.1874 (Spring 2001), pp.64–65.

Heyer, John Hajdu, ed.: Lully studies, reviewed by Wilfrid Mellers, vol.142 no.1874 (Spring 2001), pp.43–47.

Hisama, Ellie: Gendering musical modernism: the music of Ruth Crawford, Marion Bauer, and Miriam Gideon, reviewed by Andrew Thomson, vol.142 no.1876 (Autumn 2001), pp.62–63.

Homs, Joachim: Roberto Gerhard and his music, reviewed by Andrew Thomson, vol.142 no.1874 (Spring 2001), pp.48–49.

Hurley, David Ross: Handel’s muse: patterns of creation in his oratorios and musical dramas, 1743–1751, reviewed by Richard Drakeford, vol.142 no.1875 (Summer 2001), pp.75–77.

Jackson, Timothy L. & Murtomäki, Veijo: Sibelius studies, reviewed by Arnold Whittall, vol.142 no.1874 (Spring 2001), pp.54–56.

Kirkman, Andrew & Slavin, Dennis: Binchois studies, reviewed by Allan W. Atlas, vol.142 no.1876 (Autumn 2001), pp.48–51.

Kivy, Peter: The possessor and the possessed: Handel, Mozart, Beethoven, and the idea of musical genius, reviewed by Michael Fuller, vol.142 no.1877 (Winter 2001), pp.66–67.

Lee-Browne, Martin: Nothing so charming as musick!: the life and times of Frederic Austin – singer, composer, teacher, reviewed by Richard Drakeford, vol.142 no.1874 (Spring 2001), pp.50–52.

McGregor, Richard, ed.: Perspectives on Peter Maxwell Davies, reviewed by Susan Bradshaw, vol.142 no.1876 (Autumn 2001), pp.66–67.

Mercer-Taylor, Peter: The life of Mendelssohn, reviewed by Philip Olleson, vol.142 no.1874 (Spring 2001), pp.60–61.

Meyer, Leonard B.: The spheres of music: a gathering of essays, reviewed by Ivan Hewett, vol.142 no.1876 (Autumn 2001), pp.43–47.

Middleton, Richard, ed.: Reading pop: approaches to textual analysis in popular music, reviewed by David Beard, vol.142 no.1876 (Autumn 2001), pp.70–71.

Monsaingeon, Bruce: Sviatoslav Richter: notebooks and conversations, reviewed by David Wright, vol.142 no.1875 (Summer 2001), pp.77–78.

Oldham, Arthur: Living with voices: an autobiography, reviewed by Richard Drakeford, vol.142 no.1874 (Spring 2001), pp.50–52.

Oja, Carol J.: Making music modern: New York in the 1920s, reviewed by David Wright, vol.142 no.1877 (Winter 2001), pp.62–63.

Poulton, Alan: A dictionary-catalog of modern British composers, reviewed by Stephen Banfield, vol.142 no.1877 (Winter 2001), pp.68–69.

Powell, John S.: Music and theatre in France 1600–1680, reviewed by Wilfrid Mellers, vol.142 no.1874 (Spring 2001), pp.43–47.

Rae, Caroline: The music of Maurice Ohana, reviewed by Nigel Simeone, vol.142 no.1876 (Autumn 2001), pp.64–66.

Richards, Fiona: The music of John Ireland, reviewed by David Wright, vol.142 no.1874 (Spring 2001), pp.58–59.

Rosen, Charles: Critical entertainments: music old and new, reviewed by Ivan Hewett, vol.142 no.1876 (Autumn 2001), pp.43–47.

Rowland, David: Early keyboard instruments: a practical guide, reviewed by Ann Bond, vol.142 no.1876 (Autumn 2001), pp.68–69.

Schulenberg, David: Music of the Baroque, reviewed by Peter Williams, vol.142 no.1877 (Winter 2001), pp.64–65.

Sharpe, RA: Music and humanism: an essay in the aesthetics of music, reviewed by Ivan Hewett, vol.142 no.1876 (Autumn 2001), pp.43–47.

Shay, Robert & Thompson, Robert: Purcell manuscripts: the principal musical sources, reviewed by Peter Holman, vol.142 no.1874 (Spring 2001), pp.56–58.

Simms, Bryan R.: The atonal music of Arnold Schoenberg 1908–1923, reviewed by Anthony Gritten, vol.142 no.1876 (Autumn 2001), pp.69–70.

Smither, Howard: A history of oratorio, volume 4: the oratorio in the nineteenth and twentieth centuries, reviewed by Michael Fuller, vol.142 no.1875 (Summer 2001), pp.78–79.

Stanley, Glenn, ed.: The Cambridge companion to Beethoven, reviewed by William Drabkin, vol.142 no.1876 (Autumn 2001), pp.52–54.

Tattersall, Norman: As I live and breathe: a singer’s story, reviewed by Richard Drakeford, vol.142 no.1874 (Spring 2001), pp.50–52.

Waller, Paul Mark: Theories of fugue from the age of Josquin to the age of Bach, reviewed by Peter Williams, vol.142 no.1876 (Autumn 2001), pp.67–68.

Williams, Peter: Bach: the Goldberg variations, reviewed by Yo Tomita, vol.142 no.1877 (Winter 2001), pp.65–66.

Wood, Caroline & Sadler, Graham: French Baroque opera: a reader, reviewed by Wilfrid Mellers, vol.142 no.1874 (Spring 2001), pp.43–47.

Woodfield, Ian: Music of the Raj: a social and economic history of music in late eighteenth-century Anglo-Indian society, reviewed by Stephen Banfield, vol.142 no.1876 (Autumn 2001), pp.55–58.

Wyn-Jones, David, ed.: Music in eighteenth-century Britain, reviewed by Ann Bond, vol.142 no.1875 (Summer 2001), pp.74–75.

Zon, Bennett: Music and metaphor in nineteenth-century British musicology, reviewed by Michael Fuller, vol.142 no.1874 (Spring 2001), pp.62–63.

Obituaries

Hunter, Rita, vol.142 no.1875 (Summer 2001), p.7.

Kay, Norman, vol.142 no.1875 (Summer 2001), p.8.

Sciutti, Graziella, vol.142 no.1875 (Summer 2001), p.8.

Sinopoli, Giuseppe, vol.142 no.1875 (Summer 2001), pp.7–8.

Stern, Isaac, vol.142 no.1877 (Winter 2001), p.6.

Xenakis, Iannis, vol.142 no.1874 (Spring 2001), pp.8–9.

Music supplements

Facy, Hugh: Ave Maris Stella, vol.142 no.1876 (Autumn 2001), pp.39–42.

Rubbra, Edmund: Nemo Fugue, vol.142 no.1877 (Winter 2001), pp.39–42.