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Volume 140 (1999)

Articles

Adlington, Robert: ‘Into the sensuous world: the music of Rebecca Saunders’, vol.140 no.1868 (Autumn 1999), pp.48–56.

Banfield, Stephen: ‘Three of a kind: Elgar’s counterpoint’, vol.140 no.1867 (Summer 1999), pp.29–37.

Benham, Hugh: ‘All about Edmund: Turges reconsidered, vol.140 no.1869 (Winter 1999), pp.44–55.

Cole, Warwick: ‘Signs and portents: reflections on Bach’s “Ich ruf zu dir”’, vol.140 no.1869 (Winter 1999), pp.56–61.

Fox, Christopher: ‘Square dances: the music of Richard Rijnvos’, vol.140 no.1869 (Winter 1999), pp.22–30.

Goehr, Alexander: ‘What’s left to be done?: the ages of man as composer’, vol.140 no.1867 (Summer 1999), pp.19–28.

Harlow, Martin: ‘Conductor at large: Mr Halford’s orchestral concerts 1897–1907’, vol.140 no.1867 (Summer 1999), pp.49–53.

Humphreys, David: ‘Style and symbol: the Credo of the B minor Mass’, vol.140 no.1867 (Summer 1999), pp.54–59.

Kemp, Ian: ‘Age of gold: Robin Orr at 90’, vol.140 no.1866 (Spring 1999), pp.11–17.

Komlós, Katalin: ‘She never told her love’: Viola’s Willow Song’, vol.140 no.1868 (Autumn 1999), pp.36–41.

Leitch, Paul: ‘Lad culture: Butterworth’s Housman re-assessed’, vol.140 no.1866 (Spring 1999), pp.18–28.

McKay, Elizabeth Norman: ‘Debts and credits: Schubert and Hummel’, vol.140 no.1868 (Autumn 1999), pp.30–35.

Pärt, Arvo & Smith, Geoff: ‘Sources of invention: an interview with Arvo Pärt’, vol.140 no.1868 (Autumn 1999), pp.19–25.

Payne, Ian: ‘Doubtfully bred: another Telemann misattribution’, vol.140 no.1869 (Winter 1999), pp.37–42.

Phillips, Peter: ‘Sonorous settings: the music of Robert White’, vol.140 no.1869 (Winter 1999), pp.31–36.

Rushton, Julian: ‘Ecstasy of emulation: Berlioz’s Messe solenelle and his debt to Lesueur’, vol.140 no.1868 (Autumn 1999), pp.11–18.

Seaman, Gerald: ‘A poet’s echoes: Pushkin and music’, vol.140 no.1866 (Spring 1999), pp.29–32.

Sharp, Ian: ‘Wasted on play?: 150 years of learning from Schumann’, vol.140 no.1868 (Autumn 1999), pp.42–47.

Steblin, Rita: ‘Schubert’s Elise: Das Dörfchen and the “Unsinnsgesellschaft”’, vol.140 no.1866 (Spring 1999), pp.33–43.

Whittall, Arnold: ‘Fulfilment or betrayal: twentieth-century music in retrospect’, vol.140 no.1869 (Winter 1999), pp.11–21.

Whittall, Arnold: ‘Keeping the faith: Holliger at 60’, vol.140 no.1867 (Summer 1999), pp.38–48.

Witts, Richard: ‘Buying time: composers and the Arts Council’, vol.140 no.1867 (Summer 1999), pp.11–17.

Wu, Janice: ‘All in the eye: Strauss and photography’, vol.140 no.1868 (Autumn 1999), pp.26–29.

Book reviews

Allsop, Peter: Arcangelo Corelli: new Orpheus of our times, reviewed by Ann Bond, vol.140 no.1869 (Winter 1999), pp.73–75.

Armero, Gonzalo & de Persia, Jorge, edd.: Manuel de Falla: his life and works, reviewed by Andrew Thomson, vol.140 no.1867 (Summer 1999), pp.70–71.

Ashley, Tim: Richard Strauss, reviewed by James Morwood, vol.140 no.1869 (Winter 1999), pp.76–77.

Bailey, Kathryn: The life of Webern, reviewed by Julian Johnson, vol.140 no.1867 (Summer 1999), pp.64–67.

Beaumont, Antony, ed.: Alma Mahler-Werfel: diaries 1898–1902, reviewed by Diana Burrell, vol.140 no.1866 (Spring 1999), pp.52–54.

Bergeron, Katherine: Decadent enchantments: the revival of Gregorian chant at Solesmes, reviewed by Andrew Thomson, vol.140 no.1866 (Spring 1999), pp.56–58.

Bledsoe, Robert Terrell: Henry Fothergill Chorley: Victorian journalist, reviewed by Richard Drakeford, vol.140 no.1867 (Summer 1999), pp.75–76.

Bloom, Peter: The life of Berlioz, reviewed by Andrew Thomson, vol.140 no.1869 (Winter 1999), pp.77–78.

Boyd, Malcolm, ed.: Oxford composer companions: JS Bach, reviewed by Warwick Cole, vol.140 no.1868 (Autumn 1999), pp.72–73.

Boyden, Matthew: Richard Strauss, reviewed by James Morwood, vol.140 no.1869 (Winter 1999), pp.76–77.

Brauchli, Bernard: The clavichord, reviewed by Ann Bond, vol.140 no.1866 (Spring 1999), pp.58–59.

Brinkmann, Reinhold & Wolff, Christoph, edd.: Driven into paradise: the musical migration from Nazi Germany to the United States, reviewed by Ian Kemp, vol.140 no.1869 (Winter 1999), pp.70–71.

Burden, Michael, ed.: A woman scorn’d: responses to the Dido myth, reviewed by Erica Jeal, vol.140 no.1867 (Summer 1999), pp.73–74.

Caldwell, John: The Oxford history of English music volume 2: c.1715 to the present day, reviewed by Arnold Whittall, vol.140 no.1869 (Winter 1999), pp.71–72.

Clarke, David, ed.: Tippett studies, reviewed by Geraint Lewis, vol.140 no.1869 (Winter 1999), pp.65–67.

Cross, Jonathan: The Stravinsky legacy, reviewed by David Matthews, vol.140 no.1869 (Winter 1999), pp.68–69.

Dimond, Peter: A Mozart diary: a chronological reconstruction of the composer’s life 1761–1791, reviewed by David Wyn Jones, vol.140 no.1866 (Spring 1999), pp.47–49.

Eisen, Cliff, ed.: Mozart studies, reviewed by David Wyn Jones, vol.140 no.1866 (Spring 1999), pp.47–49.

Emerson, Caryl: The life of Musorgsky, reviewed by Diana Burrell, vol.140 no.1869 (Winter 1999), pp.75–76.

Feder, Stuart: The life of Charles Ives, reviewed by Diana Burrell, vol.140 no.1869 (Winter 1999), pp.75–76.

Foreman, Lewis, ed.: Ralph Vaughan Williams: in perspective, reviewed by Richard Drakeford, vol.140 no.1866 (Spring 1999), p.59.

Forte, Allen: The atonal music of Anton Webern, reviewed by Julian Johnson, vol.140 no.1867 (Summer 1999), pp.64–67.

Galatopoulos, Stelios: Maria Callas: sacred monster, reviewed by Erica Jeal, vol.140 no.1869 (Winter 1999), p.79.

Gilmore, Bob: Harry Partch, reviewed by Christopher Fox, vol.140 no.1868 (Autumn 1999), pp.57–62.

Glauert, Amanda: Hugo Wolf and the Wagnerian inheritance, reviewed by John Steane, vol.140 no.1868 (Autumn 1999), pp.70–71.

Gloag, Kenneth: Tippett: A child of our time, reviewed by Geraint Lewis, vol.140 no.1869 (Winter 1999), pp.65–67.

Gouk, Penelope: Music, science and natural magic in seventeenth-century England, reviewed by Andrew Thomson, vol.140 no.1869 (Winter 1999), pp.69–70.

Hall, Michael: Harrison Birtwistle and Harrison Birtwistle in recent years, reviewed by David Bruce, vol.140 no.1868 (Autumn 1999), pp.66–68.

Halliwell, Ruth: The Mozart family: four lives in a social context, reviewed by David Wyn Jones, vol.140 no.1866 (Spring 1999), pp.47–49.

Henze, Hans Werner: Bohemian fifths, reviewed by Diana Burrell, vol.140 no.1867 (Summer 1999), pp.61–63.

Huebner, Steven: French opera at the fin-de-siècle: Wagnerism, nationalism and style, reviewed by Tim Ashley, vol.140 no.1869 (Winter 1999), pp.72–73.

Irving, John: Mozart: the ‘Haydn’ quartets, reviewed by David Wyn Jones, vol.140 no.1866 (Spring 1999), pp.47–49.

Jackson, Timothy L.: Tchaikovsky: Symphony no.6, reviewed by Richard Drakeford, vol.140 no.1869 (Winter 1999), pp.62–64.

Jenkins, Garry & d’Antal, Stephen: Kiri: her unsung story, reviewed by Erica Jeal, vol.140 no.1869 (Winter 1999), p.79.

Jones, David Wyn: The life of Beethoven, reviewed by William Drabkin, vol.140 no.1867 (Summer 1999), pp.69–70.

Kennedy, Michael: Richard Strauss: man, music, enigma, reviewed by James Morwood, vol.140 no.1866 (Spring 1999), pp.60–61.

Kimbell, David: Vincenzo Bellini: Norma, reviewed by Erica Jeal, vol.140 no.1867 (Summer 1999), pp.73–74.

Kolb, Annette: Mozart, reviewed by David Wyn Jones, vol.140 no.1866 (Spring 1999), pp.47–49.

Link, Dorothea: The National Court Theatre in Mozart’s Vienna: sources and documents 1783–1792, reviewed by David Wyn Jones, vol.140 no.1866 (Spring 1999), pp.47–49.

Melamed, Daniel R. & Marissen. Michael: An introduction to Bach studies, reviewed by Yo Tomita, vol.140 no.1867 (Summer 1999), pp.74–75.

Miller, Leta E. & Lieberman Fredric: Lou Harrison: composing a world, reviewed by Christopher Fox, vol.140 no.1868 (Autumn 1999), pp.57–62.

Murray, Michael: French masters of the organ, reviewed by Andrew Thomson, vol.140 no.1866 (Spring 1999), pp.56–58.

Nicholls, David, ed.: The Cambridge history of American music, reviewed by Christopher Fox, vol.140 no.1868 (Autumn 1999), pp.57–62.

Osborne, Richard: Herbert von Karajan: a life in music, reviewed by James Morwood, vol.140 no.1867 (Summer 1999), pp.71–73.

Plantinga, Leon: Beethoven’s concertos: history, style, performance, reviewed by William Drabkin, vol.140 no.1868 (Autumn 1999), pp.71–72.

Potter, John: Vocal authority: singing style and ideology, reviewed by John Steane, vol.140 no.1866 (Spring 1999), pp.54–56.

Rink, John: Chopin: the piano concertos, reviewed by Susan Bradshaw, vol.140 no.1867 (Summer 1999), pp.76–77.

Robins, Brian: The John Marsh journals: the life and times of a gentleman composer (1752–1828), reviewed by Peter Phillips, vol.140 no.1867 (Summer 1999), p.78.

Rosselli, John: The life of Mozart, reviewed by David Wyn Jones, vol.140 no.1866 (Spring 1999), pp.47–49.

Rowland, David, ed.: The Cambridge companion to the piano, reviewed by Susan Bradshaw, vol.140 no.1866 (Spring 1999), p.60.

Rushton, Julian: Elgar: Enigma variations, reviewed by Richard Drakeford, vol.140 no.1869 (Winter 1999), pp.62–64.

Simeone, Nigel, ed.: “Bien cher Félix”: letters from Olivier Messiaen and Yvonne Loriod to Felix Aprahamian, reviewed by Andrew Thomson, vol.140 no.1868 (Autumn 1999), pp.69–70.

Simeone, Nigel: Olivier Messiaen: a bibliographical catalogue of Messiaen’s works, reviewed by Andrew Thomson, vol.140 no.1868 (Autumn 1999), pp.69–70.

Sipe, Thomas: Beethoven: Eroica symphony, reviewed by William Drabkin, vol.140 no.1867 (Summer 1999), pp.69–70.

Smaczny, Jan: Dvorák: Cello Concerto, reviewed by Richard Drakeford, vol.140 no.1869 (Winter 1999), pp.62–64.

Steane, John: Singers of the century volume 2, reviewed by Michael Tanner, vol.140 no.1869 (Winter 1999), pp.78–79.

Sutcliffe, W. Dean: Haydn studies, reviewed by Ivan Hewett, vol.140 no.1868 (Autumn 1999), pp.63–65.

Thistlethwaite, Nicholas & Webber, Geoffrey, edd.: The Cambridge companion to the organ, reviewed by Ann Bond, vol.140 no.1867 (Summer 1999), p.77.

Thomas, Wyndham, ed.: Composition, performance, reception: studies in the creative process in music, reviewed by Anthony Gritten, vol.140 no.1867 (Summer 1999), pp.68–69.

Tyrrell, John, ed.: My life with Janácek: the memoirs of Zdenka Janáckova, reviewed by Diana Burrell, vol.140 no.1866 (Spring 1999), pp.52–54.

Music reviews

Berlioz, Hector: Benvenuto Cellini, reviewed by Julian Rushton, vol.140 no.1866 (Spring 1999), pp.50–51.

Berlioz, Hector: Choral Music with Orchestra 2, reviewed by Julian Rushton, vol.140 no.1866 (Spring 1999), pp.50–51.

Berlioz, Hector: Messe solenelle, reviewed by Julian Rushton, vol.140 no.1866 (Spring 1999), pp.50–51.

Birtwistle, Harrison: Exody, reviewed by David Bruce, vol.140 no.1868 (Autumn 1999), pp.66–68.

Birtwistle, Harrison: Harrison’s clocks, reviewed by David Bruce, vol.140 no.1868 (Autumn 1999), pp.66–68.

Birtwistle, Harrison: Pulse shadows, reviewed by David Bruce, vol.140 no.1868 (Autumn 1999), pp.66–68.

Chabrier, Emmanuel: Mélodies vol.2, reviewed by Andrew Thomson, vol.140 no.1866 (Spring 1999), p.51.

Fauré, Gabriel: Dolly op.56 for piano duet, reviewed by Andrew Thomson, vol.140 no.1866 (Spring 1999), p.51.

Fauré, Gabriel: Élégie op.24 and Sicilienne op.78 for cello and piano, reviewed by Andrew Thomson, vol.140 no.1866 (Spring 1999), p.51.

Fauré, Gabriel: Sonata no.1 op.13 for violin and piano, reviewed by Andrew Thomson, vol.140 no.1866 (Spring 1999), p.51.

Goldschmidt, Berthold: Deux nocturnes, reviewed by Nicholas Williams, vol.140 no.1866 (Spring 1999), p.51.

Goldschmidt, Berthold: Passacaglia, reviewed by Nicholas Williams, vol.140 no.1866 (Spring 1999), p.51.

MacMillan, James: A different world, reviewed by Nicholas Williams, vol.140 no.1866 (Spring 1999), pp.44–46.

MacMillan, James: After the tryst, reviewed by Nicholas Williams, vol.140 no.1866 (Spring 1999), pp.44–46.

MacMillan, James: Concerto for cello and orchestra, reviewed by Nicholas Williams, vol.140 no.1866 (Spring 1999), pp.44–46.

MacMillan, James: Kiss on wood, reviewed by Nicholas Williams, vol.140 no.1866 (Spring 1999), pp.44–46.

MacMillan, James: Raising sparks, reviewed by Nicholas Williams, vol.140 no.1866 (Spring 1999), pp.44–46.

MacMillan, James: The world’s ransoming, reviewed by Nicholas Williams, vol.140 no.1866 (Spring 1999), pp.44–46.

Saint-Saëns, Camille: Le carnival des animaux, reviewed by Andrew Thomson, vol.140 no.1866 (Spring 1999), p.51.

CD reviews

Bach, JS: ‘French’ suites (Thurston Dart), reviewed by Ann Bond, vol.140 no.1866 (Spring 1999), p.63.

Froberger, JJ: Keyboard Works (Thurston Dart), reviewed by Ann Bond, vol.140 no.1866 (Spring 1999), p.63.

McEwen, JB: Hymn on the morning of Christ’s nativity, reviewed by Nicholas Williams, vol.140 no.1866 (Spring 1999), p.63.

Sixteenth–Eighteenth Century English Organ Music (Thurston Dart), reviewed by Ann Bond, vol.140 no.1866 (Spring 1999), p.63.

Toovey, Andrew: Adam, reviewed by Arnold Whittall, vol.140 no.1866 (Spring 1999), pp.62–63.

Toovey, Andrew: Embrace, reviewed by Arnold Whittall, vol.140 no.1866 (Spring 1999), pp.62–63.

Toovey, Andrew: Fallen, reviewed by Arnold Whittall, vol.140 no.1866 (Spring 1999), pp.62–63.

Toovey, Andrew: Red icon, reviewed by Arnold Whittall, vol.140 no.1866 (Spring 1999), pp.62–63.

Toovey, Andrew: Shining forth, reviewed by Arnold Whittall, vol.140 no.1866 (Spring 1999), pp.62–63.

Toovey, Andrew: The juniper tree, reviewed by Arnold Whittall, vol.140 no.1866 (Spring 1999), pp.62–63.

Toovey, Andrew: The moon falls through the autumn, reviewed by Arnold Whittall, vol.140 no.1866 (Spring 1999), pp.62–63.

Toovey, Andrew: the silvery yesclowns tumble!are made per!form; moon, reviewed by Arnold Whittall, vol.140 no.1866 (Spring 1999), pp.62–63.

Performance reviews

Bizet, Georges: Carmen (Opera North), reviewed by Julian Rushton, vol.140 no.1866 (Spring 1999), p.67.

Boito, Arrigo: Mephistopheles (English National Opera), reviewed by John Steane, vol.140 no.1867 (Summer 1999), p.79.

Rimsky-Korsakov, Nikolai: The golden cockerel (Royal Opera), reviewed by John Steane, vol.140 no.1866 (Spring 1999), pp.65–67.

Rossini, Gioachino: The thieving magpie (Opera North), reviewed by Julian Rushton, vol.140 no.1866 (Spring 1999), p.67.

Smetana, Bedrich: The bartered bride (Royal Opera), reviewed by John Steane, vol.140 no.1866 (Spring 1999), pp.65–67.

Wagner, Richard: Parsifal (English National Opera), reviewed by Arnold Whittall, vol.140 no.1866 (Spring 1999), pp.64–65.

Obituaries

Addison, John, vol.140 no.1866 (Spring 1999), pp.7–8.

Baines, Francis, vol.140 no.1867 (Summer 1999), p.10.

Blades, James, vol.140 no.1868 (Autumn 1999), pp.6–7.

Blech, Harry, vol.140 no.1868 (Autumn 1999), pp.8–9.

Cowan, Christopher, vol.140 no.1868 (Autumn 1999), p.10.

Cross, Anthony, vol.140 no.1866 (Spring 1999), p.10.

Everding, August, vol.140 no.1866 (Spring 1999), p.10.

Ferguson, Howard, vol.140 no.1869 (Winter 1999), pp.7–8.

Fleming, Amaryllis, vol.140 no.1868 (Autumn 1999), pp.7–8.

Gipps, Ruth, vol.140 no.1867 (Summer 1999), pp.8–9.

Gold, Ernest, vol.140 no.1867 (Summer 1999), p.10.

Grisey, Gérard, vol.140 no.1866 (Spring 1999), p.7.

Hancock, Leonard, vol.140 no.1867 (Summer 1999), p.8.

Higgins, John, vol.140 no.1869 (Winter 1999), p.10.

Kraus, Alfredo, vol.140 no.1869 (Winter 1999), p.9.

Liebermann, Rolf, vol.140 no.1866 (Spring 1999), pp.8–9.

Menuhin, Yehudi, vol.140 no.1867 (Summer 1999), pp.6–8.

Rodrigo, Joaquin, vol.140 no.1868 (Autumn 1999), p.6.

Sacher, Paul, vol.140 no.1868 (Autumn 1999), pp.9–10.

Schlee, Alfred, vol.140 no.1867 (Summer 1999), pp.9–10.

Shaw, Robert, vol.140 no.1866 (Spring 1999), pp.9–10.

Tintner, Georg, vol.140 no.1869 (Winter 1999), pp.8–9.

Thomson, JM, vol.140 no.1869 (Winter 1999), pp.9–10.

Thornton, Barbara, vol.140 no.1866 (Spring 1999), p.10.